Est. New York, 2003  ·  Leila Antakly  ·  A ninunina production
Over 1,000 interviews  ·  Since 2003

Curious about
their work,
not the moment.

Leila Antakly has spent over twenty years in conversation with artists, musicians, designers, filmmakers, and thinkers all over the world who are making work that matters. These are the conversations.

Artwork: Violeta Galera  ·  ninunina.com

Interviews from the Archive

Explore all our conversations

Ink, Movement & Storytelling — Caroline Tomlinson

Caroline Tomlinson spent 15 years as a designer and art director before making the shift she'd been circling for years — full-time fashion illustration. Central Saint Martins graduate, collaborator with Rankin, Dior and Louboutin, and a committed believer in happy accidents. This is a conversation about lines, marks, and what it means to let the ink lead.

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Art, Culture, Creative People Leila Antakly Art, Culture, Creative People Leila Antakly

DESIRE MOHEB ZANDI

She watched her grandmother weave in Turkey. Then she put rubber tubing and acrylic dowels through the same loom. Desire Moheb-Zandi — Berlin-born, Istanbul-raised, New York-marching — on textile art as feminist statement, the loom as analogue computer, and why we need activists more than ever.

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Creative People, Culture, Fashion and Design Leila Antakly Creative People, Culture, Fashion and Design Leila Antakly

Inside Nafsika Skourti’s Fashion Vision

A handwritten letter from a loved one. Political graffiti scrawled on a prison wall. A page ripped from an old newspaper. Inscriptions from a 1937 coin. These are the fragments of Palestinian life that Nafsika Skourti has embedded into fabric. Not as metaphor. As documentation. Volume II: Traces of Being is the second chapter in her series حُبِّي فِلَسطِين, My Love, Palestine, and it is among the most important things happening in fashion right now.

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Visibility has never been our measure of significance. We seek out artists and inspiring individuals whose work sparks curiosity, challenges assumptions, and leaves a lasting impression.
— Leila Antakly