INTERVIEW WITH CERAMICIST JEN DWYER

Jen Dwyer — Antakly Projects
A stylized cobalt-blue reclining nude painting, on a pink chaise, talking on a red rotary telephone, with a dog on the rug, in a maximalist blue and gold interior
JEN DWYER — FROM THE PAINTING PRACTICE SCULPTURE · CERAMICS · FINE ART
an antakly projects studio visit

Jen Dwyer

On reclaiming the nude, building J.E.D., and turning a home into a sanctuary

As long as she can remember, Jen Dwyer has had an affinity for creating art. A sculptor and painter with a background in ceramics, installation, and fine art, her practice spent years focused on one-of-a-kind pieces shown in galleries — hand-built sculptures and richly layered paintings exploring emotion, form, and storytelling through color and texture.

"
In my work, I think about the ways women's bodies have been commodified, and how to reclaim and expand the narrative to show our interests, desires, and pleasure.
Jen Dwyer

The Home That Started It

In 2025, when Dwyer and her then-boyfriend — now fiancé, soon-to-be husband — bought their first home together, something shifted. That moment became the catalyst for what would become J.E.D. She fell in love with the idea of building a space that felt both nourishing and inspired, where art could be lived with, not just looked at. She became captivated by the idea that functional objects — lighting, mirrors, vessels — could carry the same depth and intentionality as fine art. That everyday life could feel as soulful and expressive as the studio.

Chloe's Vase, a hand-built ceramic urn with rope handles, floral appliqué, and a painted scene of a hand holding a flower

Chloe's Vase — hand-built ceramic, rope handles, painted scene

What J.E.D. Is

J.E.D. is a natural extension of Dwyer's sculptural practice — rooted in artistry, but designed for everyday life. It's a collection of handmade lighting, home decor, and collectible objects meant to transform the spaces we live in. Thoughtful, tactile, and emotionally tuned, each piece is made with the belief that our environments shape how we feel, how we connect, and how we live.

At its core, J.E.D. is about turning the home into a sanctuary — where beauty isn't performative, but personal. Where art isn't just seen, it's held, lived with, and loved.

An ornate ceramic vase with hand-painted florals in a cobalt blue and gold palette

Vase with Flowers, 22 × 8.5 × 6 in — hand-built and hand-painted ceramic

Painting, Still

Her painting and fine art print practice continues alongside the sculptural work — bringing softness, color, and visual rhythm into the spaces we inhabit. Together, the two bodies of work reflect a belief in daily rituals of beauty, and in the power of light, form, and feeling to bring us joy, every single day.

In the Studio

Jen Dwyer in her studio, apron on, standing beside an unfired greenware vessel and braided clay coils

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Leila Antakly

Leila Antakly is the founder and editor of Antakly Projects, the independent cultural platform she launched in New York in 2003 as Ninu Nina. Syrian and Colombian, she began her career at Vogue Italia and has spent more than twenty years in conversation with artists, musicians, designers, photographers, and inspiring thinkers around the world.

https://www.ninunina.com/
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