INTERVIEW WITH CERAMIC ARTIST GIORGIA PIU
Three years ago clay arrived. From that exact moment it felt as natural a state as breathing. A dialogue between she and the matter — contemplative, instinctive, rooted in the earth. She and I.
"He gave me so much desire to learn and to live my artistic life in a positive and light way. I finally felt free and without chains. I felt I could start a structured journey but one that also could make my soul speak."
Three years ago clay arrived, and from that exact moment it felt as natural a state as breathing. For Giorgia Piu, ceramics is not a craft she learned — it is a language she remembered.
Giorgia began ceramics at the laboratory of Matilde Tibuzzi — Lab123 in Rome — while managing two jobs. Not being able to dedicate herself full time was unsettling, because early on she knew she could do so much more. The answer came through a meeting with Maestro Libero Ortuso during the pandemic.
His teaching changed everything. The freedom she found wasn't just technical — it was existential. A structured journey that could also make her soul speak. That collision of discipline and liberation became the heartbeat of Rose de Nour.
Her approach is constantly contemplative — a continuous dialogue with matter that leads her to honour the simplest gestures: the sound of water softening the earth, the raw material touch that takes her on a journey. She and the clay. The Nour collection speaks of this. An ancient soul with a modern background.
"My approach to clay is constantly contemplative, a continuous dialogue with matter that leads me to honor the simplest gestures — the sound of water to soften the earth, or the raw and material touch that takes me on a journey. She and I."
Tell us about your greatest inspirations or influences.
I am constantly inspired by nature and its purest and perfect beauty, and its strength. I have approaches to initiate myself into a free form of matter that is completely instinctive and natural. My influences have several ramifications — perhaps this is also what makes the product unique.
Do the current innovations in technology affect your work as a creative?
Until now, in no way. On the contrary — I love to go back and look for styles or working methods from the past.
I am an ancient soul with a modern background.
Tell us about your creative process.
It depends on what I create. Normally I let the movement flow while trying to give an imprint to a precise idea. Each Nour collection "talks" about this.
Anything coming up that we should know about?
I am currently drawing and designing various sculptures, including wall sculptures. As I have said before, I love design and furniture — I never want to limit myself. Ceramic is a material so full of freedom that it would be a shame to take only one direction.
Anything else you would like to share with us?
Before starting the journey with ceramics, I was painting and drawing. It was my main form of expression. I really miss dedicating parts of the night to the sheet of paper and the pencil — traveling to other realities and dimensions.
Even the Village Far
from the Metropolis.
Italy is a country that could be a power — but is absolutely not valued by its governments, current and past. The roots of the nation, the artisan shops, inevitably close. This situation, Giorgia says, is infuriating.
And yet — "I look out over the world and I am extremely fascinated, to see so many choices, so much free expression and so much support between artists that it creates a kind of breath for me."
Art is life.
in corpore
sano.
"At the base of our lives this should be our mantra, despite the busy times we are living in. I try to help myself — especially before and after long hours of session in the lab — by practicing yoga or walking. Activities that help to find your balance, but also to feel your body."
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Antakly Projects is an independent platform dedicated to artists, musicians, photographers, designers, and thinkers at every stage — from emerging voices to established masters. Every interview is selected for depth, not reach.
"I am an ancient soul with a modern background."
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