She lives between the sea and the mountains in northern Italy and says nothing is missing. Sandra Lazzarini's photography begins with an image that surfaces fully formed — surrealist, instinctive, deeply personal.

He draws figures that turn their backs. He circles them with thick coal lines — their territory staked out, the viewer delivered. And in 2020, Austrian artist Stylianos Schicho began to feel something deeply strange: his paintings were starting to look like the news. A conversation on blindspots, the lighthouse keeper, and why the owl can never close its wings.

She studied sociology. She reported. Then she turned the lens on the people the media ignores — and built a practice that is as much activism as it is art. Bettina on presence, connection, and sharing love through photographs

She grew up between Swedish prairies and the ocean, in a family where art was simply how you expressed yourself. After a decade in Paris, time in Beijing, and years directing for luxury brands, Sara Ödman quit her art director role and returned to the one thing that had always been true: the empty canvas, and the energy that rises the moment she starts to fill it.

He shot 169 versions of Djo's Grammy-nominated album cover. He took Tame Impala to an abandoned diamond mine in Namibia. Neil Krug on inspirations, the creative process, and why the reactionary art form will prove to have diminishing returns.

He restored Baroque church altars for eight years. He painted film sets. For 20 years he sold almost nothing. Then in 2020 he went full-time — and everything changed. Aleksandar Bezinovic on the circle, the screwdriver, and starting always from the unknown

Marrakech-born self-taught photographer Ismail Zaidy on growing up watching women in djellabas, shooting abstract minimalism on a Samsung S5, and publishing in GQ, Vogue Arabia and Dazed.