ARTIST LINDSEY PRICE

Lindsey Price: Collage Paintings and a Matriarchal Future | Antakly Projects
Collage · Retrofuturism · Los Angeles · Antakly Projects

Lindsey
Price

b. 1992, Boston · BFA CalArts · studio in the LA Arts District

Her collage paintings imagine a visual paradise that centres women in retrofuturism dreamscapes. She sources images from vintage magazines and combines them with painting and resin, reflecting on the past to reimagine how society might have been shaped into a matriarchal future.

Collage Retrofuturism The divine feminine

Lindsey Price was raised in Boston, Massachusetts, and studied at an all-girls boarding school in Wellesley. She received her BFA in Photography and Digital Media from the California Institute of the Arts. She currently lives in Los Angeles, California, and works at her studio downtown in the Arts District. Her current practice concentrates on collage, painting, design and animation.

Lindsey Price in her studio surrounded by colorful collage paintings
Lindsey Price in her studio · photo Kristin Gallegos
inspirations
Most memorable influences

Architecture, the divine feminine, and unlimited possibilities.

“I am inspired by architecture, free-form design, fashion, travelling, and the divine feminine. My work features various moods and energies that reflect my desires, fantasies and dreams from around the world. I want to challenge viewers with thought-provoking images to see a new reality with unlimited possibilities.”

Her influences · tap to reveal their world
Kandinsky
Barragan
Senosiain
Antti Lovag
Botta
Hejduk
Chaubin
Man Ray
Guy Bourdin
Hannah Hoch
Slim Aarons
Pierre Cardin
Dali
Magritte
Verner Panton
the process
Creative process

Digital first, then physical. Paint meets paper meets resin.

“I compose all of my pieces digitally, and I execute them physically. I mix paint with paper cutouts to create my physical compositions. My works are compiled on a wood base and sealed with resin. I am constantly experimenting with new techniques such as resin painting, laser cutting different materials, and pushing the bounds of my aesthetic.”

“I collect old magazines from various decades and scan images to create my collages. I sometimes reference images online, using my photographs in my collages. In between, I do a lot of photo manipulation, illustration and painting to create my compositions.”

Her process, layer by layer · tap to build
the matriarchal future
What does that future look like?

A bright, colourful place filled with love and intuitive energy.

“That future I envision, not only for myself but the entire world, looks like a bright, colourful place filled with love and intuitive energy that explores creation and transformation. A future where men and women are treated as equals. An exploration of the divine concept where women have choice, control and power. A place where we can all find beauty and diversity in the unexpected.”

The past
tap · reimagine

“I want to challenge viewers with thought-provoking images to see a new reality with unlimited possibilities.”

nfts & formats
On NFTs

“I have always been a digital artist. I started making digital collages my first year in college. Back then there was no such thing as an NFT. Most of my digital art I ended up using for graphic design purposes, such as album covers and posters. NFTs allow me to make my visions come to life on an entirely different level. I can print my work on a wide range of surfaces, project it on different platforms, and use it for social media content. It is a great way for digital artists to earn an income and to show art in a new transformative way.”

Artists who inspire today

“I look up to artists who are challenging the art world today, such as Lionel Williams, Refik Anadol, Sebastian Wahl, Sarah Sze, Tom Wesselmann, Esther Janssen, Alejandro Cardenas, Tishk Barzanji, Zhuang Hong Yi and many more.”

On wellbeing

“For me, wellbeing means feeling happy and comfortable in my skin. I exercise daily. I grew up dancing, and I continue to take classes every week. I also practice yoga which helps me recover from the intense cardio. Aside from being an artist, I also consider myself an athlete, and without exercise, I would not be where I am today. Pushing my mind and body has increased my stamina in everything that applies to my lifestyle.”

About Antakly Projects

Antakly Projects, originally Ninu Nina, has been in conversation with the most inspiring voices in art, photography, design and culture since 2003. Interview by Leila Antakly. Photo Kristin Gallegos. Lindsey Price cuts up the past and glues together a future where women are at the centre.

All works © Lindsey Price. Thank you to Lindsey for the conversation.

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And for the personal rants on life, opinions you didn’t ask for, and the occasional existential spiral: follow me on Substack. Follow us at @antakly.projects on Instagram.

Beauty and diversity in the unexpected. ✦
Leila Antakly

Leila Antakly is the founder and editor of Antakly Projects, the independent cultural platform she launched in New York in 2003 as Ninu Nina. Syrian and Colombian, she began her career at Vogue Italia and has spent more than twenty years in conversation with artists, musicians, designers, photographers, and inspiring thinkers around the world.

https://www.ninunina.com/
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