Francesca Lombardo: Bridging Classical Grandeur

Francesca Lombardo: From the Conservatorium to the Dance Floor | Antakly Projects
Francesca Lombardo, Robot Heart, Burning Man 2014
Antakly Projects  ·  Electronic Music  ·  London

Francesca Lombardo

From the Conservatorium to the Dance Floor

Classically trained pianist. Opera vocalist. Electronic producer. Burning Man. Berghain. The Royal Albert Hall. All of them true at once.

Castiglione delle Stiviere  ·  London Echolette  ·  Crosstown Rebels  ·  Ovum Burning Man  ·  Berghain  ·  Royal Albert Hall
First time Leila heard Francesca was at the Electric Pickle, and later at Burning Man. Very dreamy soundscapes. A lot of hypnotic grooves. Incredible energy.

Francesca Lombardo grew up in Castiglione delle Stiviere, close to Lake Garda in north-west Italy, in a family of chefs and restaurateurs. She would harmonise with her father, who loved to sing, and could effortlessly accompany any of the many instruments in the house. At the age of six, her parents enrolled her in a ten-year course in classical piano and opera at the Conservatorium of Music. Six years in, she left Italy and moved to London.

"For some reason, I was convinced that I needed to go to London to pursue a career in music, even as a child," she says. "I always had a special connection with London and it's still my favourite city. Looking back, it was my mission. Some people are lost in life. Me, no. I always knew what I wanted to do."

She arrived in London in 1999, completed a Sound Engineering course and a three-year degree in Vocal Techniques in Popular Music Performance at Thames Valley University. She found the underground techno scene and she found a studio. She got a bank loan for five thousand pounds and paid it back over ten years. She bought the basics: an amplifier, speakers, a PC, a mixer. She spent years improving. She eventually found that she preferred working with hardware over software, and that hardware preferred her back.

Francesca Lombardo at the decks

Early inspirations were Bjork, Orbital, the Orb, Annie Lennox, Leftfield, and Moby. When she arrived in London she met DJs and producers in the acid techno scene and began writing more club music. Names that inspired her then: Lenny Dee, Chris Liberator, Henry Cullen, and Darc Marc. Around 2005 she started listening to minimal, and her sound switched.

She performed under the name Jackie Misfit, playing the Brixton Academy and launching Echolette Records. She was part of the live act for Def by Disco. Then she went solo, sharing decks with Sven Väth and Agoria, earning recognition from Marco Carola and Loco Dice.

She has cultivated a sound via an emotional narrative of dreamy soundscapes, stirring melodies, and hypnotic rhythms. She has played IMS Dalt Villa, Burning Man, Tomorrowland, Get Lost, Resistance, Circoloco, and the Royal Albert Hall.

"Playing music live is more three-dimensional. You use not only your choice and your mixing, but you have to play and you have to sing. You use your hands, you use your heart, you use your voice. It involves everything."
Francesca Lombardo
The conversation
01

Describe your creative process.

My tracks follow a concept. Whether it is the melancholic swirl of a Depeche Mode synth or a Traum-inspired groove, my work is felt, not calculated.

I moved to London to study in 1999 and, having already been introduced to psychedelic and electronic music by my uncle, I quickly found a home in the city's techno scene. I started to go to rave parties and I got into DJing myself for fun. I began to meet all these great people and DJs, and everyone had a studio. I got into DJing with my upstairs neighbour who had some studio equipment herself. I signed up for a music technology course and got a loan from the bank for £5,000, which I had to pay back over about ten years. That allowed me to get everything I needed to start: an amplifier, speakers, a PC, a little mixer. Just the basics.

"I took another course at a school called IMW. You only got to use the studio about once a month, but being in the studio rather than on a computer helped me. I preferred the audio engineering parts and using hardware. I never really produced anything at the beginning."

02

On performing live versus DJing.

It may be new in the eyes of people who know me as a DJ, but it is not a new thing. DJing is very fun and fulfilling, it is very spiritual and connects people. But playing music live is more three-dimensional.

Performing live is another level. The work behind it is huge. It is your music. You are rehearsing music you have been writing for a long time. You use more of your skills. You have to use not only your choice and your mixing, but you have to play and you have to sing. You use your hands, you use your heart, you use your voice. It involves everything.

03

On Chris Isaak's Wicked Game in your sets.

One of my favourites that I decided to include in my DJ sets around 2016. Wicked Game by Chris Isaak from his album Heart Shaped World (1989) had always filled my listening playlists at home and I could not resist incorporating it in my sets. The first time I mixed it in was in Beirut at the Garten. Besides creating a loving atmosphere on the dance floor, everyone starts to sing it, and it quickly became a good catch for people to remember. I used to mix it with anything that had a straight-up beat.

Freak On Sea

Crosstown Rebels  ·  2020  ·  For Beirut

When she was asked to make that piece, it was during the time when Beirut had the explosion in 2020. She is very close to that city. She made the track thinking of the sad circumstances that happened at the time, and of all her friends who got affected, and all the people who ended up suffering. She got inspired by the love and the memories she had during her gigs and touring in Lebanon, and created that track with its melody dedicated to the people who looked after her when she was lucky enough to be there and play.

IMS Dalt Villa Burning Man Berghain Tomorrowland Circoloco Get Lost Resistance Royal Albert Hall
"I always had a special connection with London. Looking back, it was my mission. Some people are lost in life. Me, no. I always knew what I wanted to do."
Francesca Lombardo
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Leila Antakly

Leila Antakly is the founder and editor of Antakly Projects, the independent cultural platform she launched in New York in 2003 as Ninu Nina. Syrian and Colombian, she began her career at Vogue Italia and has spent more than twenty years in conversation with artists, musicians, designers, photographers, and inspiring thinkers around the world.

https://www.ninunina.com/
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