Review of Last Laughs by Elliott Erwitt
Elliott Erwitt’s Last Laughs is a masterful celebration of a lifetime spent observing the world with wit, warmth, and an unerring eye for the absurd.
This final self-curated collection, published by teNeues posthumously, is a testament to Erwitt’s unparalleled ability to find humor and humanity in the most ordinary—and extraordinary—moments.
Erwitt’s photographs are more than just images; they are visual punchlines, poignant vignettes, and quiet commentaries on the human condition. Whether capturing candid street scenes, iconic figures like Marilyn Monroe and Che Guevara, or his famously expressive dogs, his work is infused with a playful yet profound sensibility. His compositions are deceptively simple, yet each frame tells a story, inviting the viewer to linger and interpret the scene through their own lens.
What makes Last Laughs particularly special is its curation. Erwitt handpicked these photographs, ensuring that the collection reflects his signature blend of irony and empathy. The black-and-white imagery, a hallmark of his style, heightens the contrast between light and shadow, much like his ability to balance humor with deeper emotional resonance.
Beyond the photographs themselves, the book offers glimpses into Erwitt’s life and philosophy—his self-deprecating humor, his relentless curiosity, and his refusal to take photography (or himself) too seriously. His famous quip about learning photography from “the instructions on the back of the box” perfectly encapsulates his approach: effortless genius masked by modesty.
A must-have for photography enthusiasts and casual admirers alike, Last Laughs is more than a coffee table book—it’s a joyful, moving farewell from one of the 20th century’s greatest visual storytellers. Erwitt may have left us in 2023, but his legacy lives on in these frames, each one a reminder to look closely, laugh often, and cherish the beautifully absurd dance of life.
Cover: IRELAND Elliott ERWITT, 1991 ©
USA,New York City,2000©Elliott Erwitt LLC