Johan Gelper calls his sculptures drawings in space. It is a fitting description. At Ricou Gallery he shows the frame of a chair that transforms into looping fibreglass tubes, clamped to heavy stones. Elsewhere, a large rake is held upright by a cable that runs on as an extension. A constellation of yellow plastic tubes covered in cable ties bears similarities to a sea urchin. A single leaf hangs at the centre of a steel cable oval. Everything is in balance. Everything is asking a question about balance.

There is a moment, in every serious perfume, when the smell stops being a smell and becomes a place. Johan Bergelin understood this because he understood it first as a painter, a photographer, and a musician — someone who had spent decades asking how experience could be held in a form before he ever asked that question about a bottle. He founded 19-69 in 2015, on a kitchen table, with 500 euros. The first five fragrances launched at Colette in Paris and sold out within minutes.

From Coca-Cola TVC campaigns to curating for Tom Ford and La Mer from Bangkok, Mirelle Phachareeya Grünert moves between cultures with precision and philosophy. She doesn't aspire to be better than other creators — just better today than she was yesterday.